Saturday, April 30, 2011

Quote Unquote Imagery

My favorite—“Words walking without masters; walking altogether like the harmony in a song.” Pg. 2
1.      “The sun was gone, but he had left his footprints in the sky.” Pg. 1 This describes how the sun has set, but there is still some light on the horizon. This may also be referring to the symbol of Tea Cake as the sun and saying that though he is dead Janie remembers him.
2.      “She searched as much of the world as she could from the top of the front steps, then went on down to the front gate and leaned over to gaze up and down the road. Looking, waiting, breathing short with impatience. Waiting for the world to be made.” Pg. 11 This shows how she was looking for adventure and opportunity.
3.      “It was a lonesome place like a stump in the middle of the woods where nobody had ever been.” Pg 21-22 This shows how secluded Janie is in Logan’s house and how that was boring for an adventurous and fun-loving girl like her.
4.       
a.       Logan with his shovel looked like a black bear doing some clumsy dance on his hind legs.” Pg 31 This mental image is supposed to contrast with that of Joe Starks so that one can see the difference in the demeanor of the two men and that Joe is after something bigger.
b.      “From now on until death, she was going to have flower dust and springtime sprinkled over everything.” Pg 32 This states how happy she feels when she runs away with Joe and she believes that this feeling with never disappear.
5.       
a.       “It was just a handle to wind the tongue up with.” Pg 48 This  expression is used to say that the townspeople  talked  well about Joe just to make sure they didn’t get in trouble for the other things they say.
b.      “…he’s de wind, and we’se de grass.” Pg 49 this is used to tell of how much control Joe had over the townspeople.
6.       
a.       “Every morning the world flung itself over and exposed the town to the sun.” pg 51 This tells that even with all that was going on with her life, Janie’s world went on.
b.      “He had more spirit left than body.” Pg 56 though this is used to describe the mule, it tells that a being’s spirit and body are not the same thing.
7.       
a.       “She was a rut in the road. Plenty of life beneath the surface but it was kept beaten down by the wheels.” Pg 76 this shows that Janie had a lot of fight left in her, but Joe kept such a tight control on her that she couldn’t start fighting.
b.      “She got so she received all things with the stolidness of the earth which soaks up urine and perfume with indifference.” Pg 77 This shows that she learnt to deal with Joe quietly and indifferently.
8.       
a.       “But stillness was the sleep of swords.” Pg 81 This is saying that the stillness between Joe and Janie was only preparation for a fight.
b.      She was liable to find a feather from his wings lying in her yard any day now.” Pg 84 This is referring to Death and saying that soon it will come for Joe and barely leave any traces behind.
9.       
a.       It was all according to the way you see things. Some people could look at a mud-puddle and see an ocean with ships.” Pg 89 This tells of how some people are optimistic and see lots of oppurtunity while others do not.
b.      “To my thinkin’ mourning oughtn’t tuh last no longer’n grief.” Pg 93 Janie says this to indicate that it would be rude to the dead to mourn them only for public appearance, without ever grieving them.
10.   
a.       “Jes lak uh lil girl wid her Easter dress on.” pg 98 Here Tea Cake is showing how pleasing and cute it is to have Janie call him by his nickname. He is also trying to break the age barrier between them.
b.      Soon its amber fluid was drenching the earth, and quenching the thirst of the day.” Pg 99 This is talking about the moon and it means that the night finished the day and brought about love and rest.
11.   
a.        “It was so crazy digging worms by lamplight and setting out for Lake Sabelia after midnight that she felt like a child breaking rules.” Pg. 102 This shows how thrilling it was being with Tea Cake and how much younger she felt by having so much fun.
b.      “It feels jus’ lak underneath uh dove’s wing next to mah face.” Pg. 103 Tea Cake uses this description to tell of how luscious Janie’s hair is.
c.       “Janie awoke next morning by feeling Teak Cake almost kissing her breath away.” Pg. 107 This phrase is used to show the magnitude of Janie’s love and how it was different than with her other husbands.
12.   
a.       “When you see uh woman doin’ so much rakin’ in her head, she’s combin’ at some man or ‘nother.” Pg. 111 Here Sam Watson is explaining Janie’s actions to Phoeby.
b.      “ Git up on uh high chair and sit dere.  She didn’t have time tuh think whut tuh do after you got up on de stool uh do nothin’.” Pg. 114 This line is Janie talking of her grandmother and her dream for Janie. The chair symbolizes an important or cushy place in society; a honest living and a good marriage.
13.   
a.       “The train beat on itself and danced on the shiny steel rails mile after mile.” Pg. 116 Here Janie is telling of her trip to join Tea Cake.
b.      “But, don’t care how firm your determination is, you can’t keep turning round in one place like a horse grinding sugar can.” Pg. 118 Here Mrs. Hurston uses the symbol of a horse grinding sugar cane to show that you have to make progress to go anywhere.
14.   
a.       “Shining their phosphorescent eyes and shooting them in the dark.” Pg. 131 Now one of Janie and Tea Cake’s adventures is being told, making their relationship sound exciting and fun.
b.      “…but heah, we ain’t got nothin’ tuh do but do our work and come home and love.” Pg. 133 This is where Janie is telling of how she enjoys her working life with Tea Cake and comparing it to her old relationships.
15.   
a.       “A little seed of fear was growing into a tree.” Pg. 136 Mrs. Hurston uses this phrase to describe how Janie and Tea Cake’s relationship is starting to have flaws.
b.      “You done hurt mah heart, now you come wid uh lie tuh bruise mah ears!” Pg. 137 Janie is trying to stop Tea Cake from hurting her further after she gets jealous of Nunkie.
16.   
a.       “She was an ironing board with things thrown at it.” Pg. 140 Here Mrs. Turner’s posture is being commented on.
b.      “He was a vanishing-looking kind of a man as if there used to be parts about him that stuck out individually but now he hadn’t a thing about him  that wasn’t dwindled and blurred. Just like he had been sand-papered down to a long oval mass.” Pg. 144 Mr. Turner is being described here.
17.   
a.      “She got ninety-nine rows uh jaw teeth and git her good and mad, she’ll wade through solid rock up to her hip pockets.”  Pg. 148 This is what a man says when comparing his wife to Janie and how his wife would never stand him hitting her.
b.      “…broken dishes and crippled tables and broken-off chair legs and window panes and such things. It got so that the floor was knee-deep with something no matter where you put your foot down.” Pg. 152 Mrs. Hurston describes the scene in Mrs. Turner’s after the riot.
18.   
a.      “The winds, to the tiniest, lisping baby breath had left the earth. Even before the sun gave light, dead day was creeping from bush to bush watching man.” Pg. 155 The premonitions of the hurricane are talked of.
b.      “…and the monster began to roll in his bed. Began to roll and complain like a peevish world on a grumble.” Pg. 158 The hurricane is symbolized as a monster.
19.   
a.      “He stood once more and again in his high flat house without sides to it and without a roof with his soulless sword standing upright in his hand. His pale white horse had galloped over waters, and thundered over land.” Pg. 168 Death is personified for a better effect after the hurricane.
b.      “Some dead with fighting faces and eyes flung wide open in wonder. Death had found them watching, trying to see beyond seeing.” Pg.170 Mrs. Hurston talks of the dead and the aftermath of the storm.
20.   
a.       “Love is lak de sea. It’s uh movin’ thing, but still and all it takes its shape from de shore it meets, and it’s different with every shore.” Pg. 191 Janie says this after everything, when she has returned to Eatonville.
b.      “And listenin’ tuh dat kind uh talk is jus’ lak openin’ yo’ mouth and lettin’ de moon shine down yo’ throat.” Pg. 192 This is the comment Janie makes when talking to Phoeby about the porch-sitters.

Friday, April 29, 2011

Their Eyes Were Watching God: Scrutinized

Object of Exmination: Their Eyes Were Watching God
Written by: Zora Neale Hurston
Pages: 240
First line: Ships at a distance have every man's wish on board.
Rating out of 10: 8
Synopsis: Goodreads
Review: Overall I thoroughly enjoyed reading this book. I found the plot to be interesting and the twists in the story were unsuspected and realistic. The action scenes were a little hard to follow--the sentences were too long and too flowery. In some cases, Mrs. Hurston did not describe a few vital details. I loved the language and the imagery and symbols. The writing would lure me into a trance and I would just keep on reading. I grew to enjoy the cultural factor that the phonetic dialogue added. The symbols added so much meaning and reverance to the story and brought out some of the hidden conflicts. While the characters were well-developed and easy to relate to, Janie was a little annoying at times with her inner conflicts and how she couldn't decide what she wanted. Readers would be more sympathetic if Janie was not so hypocritical at the beginning and gathered up her strength more quickly. I really liked this book and recommend it to anyone who likes romances, historical fiction, or gorgeous writing.

Thursday, April 14, 2011

Good day to you too, sir!


Zora Neale Hurston was an excellent writer and prominent figure in the Harlem Renaissance. She has received much criticism and praise for her works, especially Their Eyes Were Watching God. I do think that the dialect of the dialogue was a little challenging and threw me off at first, but I quickly got used to it and saw the culture that it added to the story. "In case there are readers who have a chronic laziness about dialect, it should be added that the dialect here is very easy to follow, and the images it carries are irresistible," said Lucille Tompkins in a New York Times Book Review. I love this  book so far and find it interesting and very well written. One must delve beneath the surface of the novel to really enjoy it--the symbols are deep and rich with emotion and the themes are definitely there, but hidden under the gorgeous imagery.
Richard Wright was probably Zora's biggest critic. He said that her novel did not show the racial injustice and was also very mad at her for writing black men that physically abused the main character, Janie. Truly, the racial injustice of slavery and of the Jim Crowe laws is included in the story, though it is not bluntly obvious. In a review by George Stevens for the Saturday Review of Literature it was written that, "...there is an undertone, never loud enough to be isolated, of racial frustration." I agree that she does include it, but not so prominently because it is not always prominent in real life. Sheila Hibbon stated that "...there is a flashing, gleaming riot of black people, with a limitless exuberance of humor, and a wild, strange sadness," in The New York Herald Tribune Weekly Book Review.
I have enjoyed this book immensely so far and I cannot wait to finish reading it. I love Zora's style of writing and I like hearing about Janie's quest for love. I especially like Zora's symbols and her well-developed characters. 
http://people.virginia.edu/~sfr/enam854/summer/hurston.html
http://blogs.davenportlibrary.com/pr/wp-content/2009/02/their-eyes-were-watching-god-movie.jpg

Monday, April 4, 2011

Too prepared for my own good

I have already researched Zora Neale Hurston and so I'll tell you about another great writer of the Harlem Renaissance instead.
 Langston Hughes

  • He was born in 1902 in Missouri. 
  • He was known for using the rhythm of common African American speech and other parts of their culture into his poetry.
  • He was the first writer to realistically portray urban black life.
  • He got famous when he was busing on Vachel Lindsay in a restaurant and left three of his poems next to Lindsay's plate.
  • Hughes published his first work, Weary Blues, in 1926.
  • As a prominent figure in the Harlem Renaissance he was often referred to as Poet Laureate of Harlem.
  • Mulatto, his famous drama, was performed on Broadway a total of 373 times. 
  • He used his poetry to protest social and political causes.
  • Langston wrote a newspaper column that expressed the thoughts of many black Americans. This aired in the Chicago Defender and the New York Post in the 1940s.
  • He died May 22, 1967 with over 50 published works.
   
This is Langston Hughes.
Sources: